The same video is also available in Luxembourgish.

About a month ago, Photogen.lu had challenged its members to take part in a ‘street battle’. The purpose of the get-together in Luxembourg City was to roam the city centre and take photographs of the people there, then meet up again and share images and experiences. Most of the photographers went for the candid approach, in which you photograph scenes happening in the streets where people are not aware of being photographed. I decided to do the opposite and approach people directly.
I think it’s easier to decide on a target group. If you can photograph anybody, you’re likely to end up not being able to decide who to approach. If fewer people meet your arbitrary criteria, it’s easier to pick somebody from the masses. In this case, I focused on people with greying hair.

I had a memorable exchange from the workshop in Arles in mind that day. I had asked Serge Picard how I could make my subjects feel more comfortable. He answered: ‘Why on earth would you want them to feel comfortable?’. My goal for the day then was to get out of my own comfort zone by approaching complete strangers and getting them out of their own comfort zone in the process. I went around addressing people, briefly told them that my photography club had given me a mission and asked if I could take their portrait. If they agreed, I first took a regular close-up portrait. Having a camera with a ring-light pointed at your face can be a bit intimidating, so I didn’t want to come straight to the point. The photo I was after was one of my subjects pulling their favourite face. Once a person has agreed to having their portrait taken, the first picture is just a means of breaking down a barrier. After that, it’s much easier to persuade your subject to do something silly or unusual.
In case you’re wondering why there are only men in the gallery: none of the women I asked for a portrait agreed!

Chris Willmott asked me for a casino-themed shoot before I was going to leave the UK. The School of Drama building at the University of Kent had recently been finished and provided a fairly modern setting that would work, seeing as I didn’t really want to go through the whole logistics of working in an actual casino. So, thanks to the university for letting me shoot there.

The photographs ended up somewhere between the styles of James Bond and Gambit. I used Speedlights and PocketWizards to set the mood in terms of lighting, playing around with gels to get some colour contrast and get away from the boring fluorescent light.

The post-processing was a challenge for me. For two of the photographs we wanted the cards to be in mid-air. Getting it all done in-camera turned out really difficult, so I decided that I’d place the cards later on in Photoshop. Thus I ventured forth into Photoshop’s 3D world :) I hope the results look somewhat realistic.

A brief Photoshop noise reduction tutorial in Luxembourgian.

The Christmas holidays have started for me today. With a little bit of time on my hands before my friends from the UK arrive in Luxembourg, I went to the Prënzebierg in Pétange this afternoon. Shooting snow-covered landscapes has always been a bit of a challenge for me. With all the snow, pictures usually turn out grey and it’s difficult to get a decent composition going. I decided to try whether adding a bit of strobist gear would help. I also finally got around to trying the AC3 together with my PocketWizards. It came in very handy to control the manual power levels of the flash directly from the camera.

I’m not sure I want to do this again though, even water-resistant gear can only take so much molten snow…

I haven’t had much time to go out and take photographs lately, so most of what I’m shooting these days is made with my mobile phone’s camera whenever I happen to see something interesting. Here are some recent photos of  snow and frost in Luxembourg.

During the evening I gave Olivier one of the transceivers so that we could both trigger the flashes that we had set up in the Orangerie to support the ambient light. The reception and dinner were very entertaining. I’m glad that I was at the right place at the right time when Savio’s friends spontaneously decided to lift him off the ground :) During the dances I used a technique I learned from David Ziser: get one slaved flash behind the couple to create both a nice rim and some cool lighting on the floor. Olivier had to put some effort into that, since he had to be in the frame without showing up on the pictures.

I had a really great time at the wedding, and I hope I captured the ambience in the photographs! That was probably the last wedding I’ll cover. My time as a student is up and I’m moving on.

Once I had read Aaron‘s whacky script I knew that I wanted to take part in the project to create this short film. It was a good opportunity to give filming something with an actual script a go. I used two Canon EOS 5D MkII cameras with the Canon EF 24-70mm 2.8L USM and the Canon EF 50mm 1.4 USM lenses. The sound was recorded with the Zoom H4N and a Rhode Stereo Videomic.
We filmed in various locations around Canterbury, such as Aaron’s kitchen, a quiet corner of the Templeman Library, the Monument Pub and Christchurch’s Augustine House. (We got kicked out of the latter though.)
When we were done I handed the files over to Aaron who took care of the editing.