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Alison and I made a trip to the butterfly garden in Grevenmacher. This time the temperature was a bit more comfortable than the 40°C in the World of Butterflies. We only had one macro lens between the two of us so we took turns in photographing and holding a flash for one another. We started out with the ringlight adapter but moved on to a DIY diffuser to light the butterflies. It’s quite useful to be able to sculpt the light the way you need it to be rather than being at the mercy of the sun shining through a glass roof and foliage. I used the Pocketwizard Mini TT1 and Flex TT5 to allow the camera and flash to communicate with one another. Setting the flash power manually would have been tricky, since we worked without tripods. At those small distances, a few centimeters change in the distance between flash and subject can make a big difference. (Inverse square law: if the flash is giving me a correct exposure at 1/8 power and 10cm distance, if the flash moves 5cm closer the power needs to change to 1/32. ETTL takes care of this on the fly.)
So my technique here is to get the aperture I need for a decent depth of field, then dialing in a shutter speed and ISO that get me enough ambient light for a photo that’s slightly underexposed, then bring in the flash to get the exposure to where it needs to be.
(For those wondering what the title means: it’s one of the Luxembourgian words for butterfly.)
Category: Photography
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Pimpampelen
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Wedding: Carole & Jules
I first met Carole and Jules at the wedding of their friends Martine and Mike the year before. They got in touch with me last winter and I ended up shooting their wedding day in July together with Olivier Kerschen as assistant. We took photos of Carole getting ready at her parents’ house and, once we determined that the weather was going to play along, drove to the Parc Municipal in Mondorf. It’s a really great place, quite big with lots of different possibilities to take the couple shots. The size meant that we had to walk around a bit to get to the places I had scouted beforehand but it worked out nicely. I used the 5DMkII again, mostly with the EF 70-200. Olivier was in charge of getting the lights where I needed them – which sometimes includes dangling halfway off a bridge to get the light in the perfect spot.
The wedding ceremony was in their hometown Ellange, in a lovely small church just opposite the venue in which the reception was held. And you should have been there to see their faces when the white limousine arrived to pick them up! We moved on to the the Restaurant Delicious in Sandweiler, outside of which I took portraits of all the couples before everyone went inside for the dinner. It’s a nice place, they had hired some cool DJs and the fun just didn’t seem to stop. I especially liked the balloon-popping-sumo game their friends had come up with. When we left around 3am the party still wasn’t showing any signs of slowing down! -
Photo Shopping
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Last week I posted a bit of behind the scenes information about the setup for the picture Zombies at an Airport. This time I’m publishing the original image along with the finished photo so that you can see what can be done to give a photo some flavour.
I actually shot this for a competition on Photogen, but then it turned out I had misinterpreted the topic, so I submitted something else instead. If it wasn’t for the competition which requires anonymity though I might have taken the picture the other way around, showing myself pushing the trolley.
I borrowed Alison’s EF 17-35 2.8L lens for this. (I don’t have a proper wide angle lens for the 5DMkII yet. I’m hoping for Canon to release the 14-24 2.8 L that’s being rumoured about this year.) The camera is mounted to the trolley’s handlebar using a Manfrotto superclamp. I dialed the camera to ISO100 to get the best possible image quality, and then closed the aperture down so that I could get a long enough exposure time. In this case I ended up with f/9 and 1,6 seconds.
The post-processing should be pretty self-explanatory from the pictures. I fixed a highlight from a ceiling light with the clone stamp, then I used Curve and Hue/Saturation/Lightness adjustment layers to add contrast and shift colours the way I wanted them. The advantage of using adjustment layers to do this is that you can re-adjust them later if you change your mind, and that you can easily apply layer masks so as to apply the effect of an adjustment layer to a specific area of the image only. As you can see it’s nothing too fancy, but I think it makes all the difference between a picture that looks fairly flat and one that pops.
In case you’re wondering what I was shopping for (I didn’t go to our local supermarket just for the photo), it’s Spicy Moroccan Stewed Fish with Couscous from Jamie Oliver’s Ministry of Food. Lots of great recipes without too much fuss in there. And some cool and helpful pictures by David Loftus and Chris Terry (although I think they went a bit overboard with the tonemapping on some portraits).