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The pictures above are the final selection which made it into the exhibition at the end of the photography workshop in Arles, with two exceptions: the firefighter photo didn’t make it because the local photolab cropped his head off, and I don’t have permission to publish the picture I took of a librarian online.
The workshops in Arles were organized by Stage Photo Arles throughout spring and summer. I chose ‘Portrait: technique et finalité‘ taught by Serge Picard in the middle of August.
On the first day, each participant explained what they wanted to get out of this workshop. It’s weird how those little epiphanies can sometimes come out of nowhere: I told Serge that I’d like to learn how to make the people I photograph more comfortable. All he said was: ‘Why would you want to make them feel comfortable!?’ So by disillusioning me about what I thought would be my biggest hurdle during the workshop Serge had already shown me the direction my series for that week would take: My initial idea of simply photographing people at their workplace got marked by the awkward (quelquechose de gauche).
I think that weird atmosphere was even somewhat inevitable for some of the sessions. I don’t really know what I expected when I went to my first shoot at the bakery at 23:30. All I know is that the baker didn’t quite seem to like my accent when I speak French, and when, during smalltalk, I failed to agree with him that there were too many Arabs in France he seemed have lost all sympathy for me. The picture’s still my favourite one of the entire week though.
Blog
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In Arles – Workshop Exhibition
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In Arles – Visit
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Back in December I won the Connecting Generations photo competition. One of the prizes was free participation in a workshop of my choice at the Rencontres d’Arles. I got there one day before the workshop started and left a day after it had finished, and of course I didn’t sit around with my camera in my backpack during those days.
The pictures from the workshop that made it into the exhibition at the end of the workshop will be posted soon, followed by some outtakes. -
Pinball
For those interested in how my PAD 171 from June 20th was made I’ve put together some making of information. The pinball machine is nothing other than a metal fruit holder I borrowed from our kitchen. It’s held up by a superclamp. To simulate the pinball’s perspective I used a fisheye lens. On a full frame camera this results in a circular image.
The light trails are made with a torchlight that shines into an aluminium sheet. The technique’s called painting with light. After a few tries I got the trails I wanted. In Photoshop I added masked Solid Color layers in Color Blend Mode to get the neon colours. In the end I used Liquify to fill in the corners because I didn’t want to crop away too much from the sides.[kml_flashembed fversion=”8.0.0″ movie=”http://gloda.net/pb/20090921pinball/2009.swf” targetclass=”flashmovie” publishmethod=”static” width=”740″ height=”547″ wmode=”transparent” base=”.” /]